The University Singers

CONCERT Season 2025

JUNE 06 - JUNE 29 • Philip Sherlock Centre for the Creative Arts, UWI Mona

The University Singers Concert Season 2025
The University Singers Concert Season 2025
JUNE 06 - JUNE 29

What to Expect

  • 67th Concert Season of The University Singers
  • Musical Direction by Franklin E. Halliburton
  • Diverse repertoire spanning sacred, classical, and contemporary music
  • Traditional Jamaican folk songs and Revival music
  • Collaborative musicians and special guest artists
  • Celebrating Jamaica's vibrant choral tradition

Important Information

Contact: The UWI Singers, Mona | @uwisingersmona

Upcoming Shows: Concert Season Remount: October 24-26, 2025

Evening Event: An Evening with The University Singers: December 17, 2025

Programme

Running Time: Approximately 2 hours (including 15-minute intermission)

FIRST HALF

THE EYES OF ALL WAIT UPON THEE
Jean Berger (1909-2002)
4 minutes
HOSANNA IN EXCELSIS
Franklin Halliburton (b.1978)
5 minutes
BEAUTIFUL SAVIOUR
Arr. Tom Fettke (b.1941)
4 minutes
COME THOU FOUNT OF EVERY BLESSING
Arr. Mack Wilberg (b.1955)
4 minutes
SPEED YOUR JOURNEY (from the opera "Nabucco")
Giuseppe Verdi (1813 -1901)
6 minutes
PARAISO
Ryan Cayabyab (b. 1954) / Arr. Christopher Borela (b.1972)
Soloists: Khadejah Lawes / Melonie Morgan, Soprano; Chevaughn Channer / Stefan Morris, Baritone
7 minutes
WADE IN THE WATER
Moses Hogan (1957-2003)
Soloists: Jewel Lewis, Alto
5 minutes
WAY OVER IN BEULAH LAND
Hall Johnson (1888-1970)
4 minutes
PLACE IN THIS WORLD
Michael W. Smith (b.1957) / Choral Arr. Franklin E. Halliburton (b.1978)
Soloists: Christopher Whyte, Tenor
5 minutes
HAREJE
Arr. Ewan Simpson (b.1972) & O'Neal Mundle (b. 1970) / adapted by Katherine Brown - (b.1970)
Soloists: Ellan Neil / DeAnna Fraser, Soprano
4 minutes
BUJU MEDLEY
Arr. Djenne Greaves (b.1977)
Soloists: Stephan Sinclair, Baritone
8 minutes
🎵

~ INTERMISSION ~

15 MINUTES

SECOND HALF

GOOD MAWNIN'
Arr. Noel G. Dexter (1938-2019)
4 minutes
MAN & WOMAN STORY
Arr. Noel G. Dexter (1938-2019)
5 minutes
ROCKSTEADY SUITE
Arr. Djenne Greaves (b.1977)
12 minutes
Video clips are from the documentary, 'Rocksteady: The Roots of Reggae' - Director: Stascha Bader
BAND INTERLUDE - 'BY SUNDAY'
Katherine Brown (b.1970)
4 minutes
REVIVAL BANS MEDLEY
Arr. André Bernard (b.1989)
Captain: Stefan Morris, Baritone; Mother: Shanique Leon / Shanequa Thompson, Alto
15 minutes
THE END
1 minute
Franklin E. Halliburton
Musical Director

Every year, a small miracle happens. We work very hard to prepare our show, rehearse long hours then pray and hope for the best. But somehow, we always manage to put together a delightful potpourri of songs, some new and some drawn from our archives, that capture the imagination of our audiences. Well, this year's show is no exception and we are proud to present to you our small miracle!! When we consider that since the pandemic, we were displaced from our regular rehearsal space here at the Philip Sherlock Centre for the Creative Arts (PSCCA), and had to find less suitable rehearsal spaces on the University campus to carry out our preparations, we are even more proud that we were/are able to continue this rich legacy bequeathed to us by our musical forebears, the likes of Robert Henry, our founder, Sir Colville Young, Marjorie Gray-Bayley, Geoffrey Fairweather, Dr. Carol Ball, Dr. Rupert Moss, Marguerite Marks-Clayton, Dr. Patricia Webley, Dr. Lillieth Nelson, Noel G. Dexter and Prof. Rex Nettleford, our late Artistic Director. Our heartfelt thanks must go out to all the people who have and are still coming to our aid. We must single out for special mention, our Campus Principal, Professor Densil A. Williams and the University's Estate Manager, Mr. Milton Dennis, for championing our cause and actively helping us to rehabilitate our rehearsal room; our Campus Registrar, Dr. Donovan Stanberry for granting us the use of the University Chapel as an interim rehearsal space; the Student Services Manager of the Rex Nettleford Hall, Ms. Savanna Bennett-Mowatt, for lending us their multi-purpose room to assist with our choreography; and the head of the PSCCA, Dr. Michael Holgate, for his support. The invaluable input and support of our partners will ensure that the work we do will continue to thrive and flourish and that we will be able to share with you, our faithful audience, our many small miracles for years to come. Notwithstanding our existential challenges and recent crises, the excitement for this year's show has been building. This evening's performance is a true testament to our love and devotion to an art form that has been kind to and has uplifted all of us. We can only hope that it will uplift you as well. The singers and musicians are ready backstage! Open the curtains, cue the lights and let our miracle show begin! Do enjoy!

— Franklin E. Halliburton
Gavane Ferguson
President

Greetings, faithful supporters, cherished friends, and every music lover joining us tonight! As President of The University Singers, it fills my heart with immense pleasure and profound gratitude to welcome you to our 67th Concert Season. This year's production is more than just a performance; it's a vibrant testament to the unwavering spirit and deep dedication of our cohort. The past year presented its share of significant challenges, testing our resolve in ways we hadn't anticipated. Yet, through perseverance, sacrifice, unwavering unity, and the enduring vision passed down by our esteemed former leaders, we tackled each hurdle, together. We are also incredibly thankful for the unwavering support from Campus Principal, Professor Densil A. Williams and the University's Estate Manager, Mr. Milton Dennis whose commitment have been instrumental in helping us navigate these times and ensure this season could come to life. And now, after thousands of hours of intense rehearsals, we stand ready to share with you the result—a creation born from our collective heart and voice. We don't take lightly the important work we do in sharing and spreading light through music. As we continue to weave our voices into the rich fabric of Jamaican culture and champion the art of Choral Theatre, we take immense pride in what you are about to witness. Our hope is that this evening's presentation will resonate deeply, leaving each of you with something truly special to carry home. Your presence makes this experience even more profound, completing the circle of our artistry. The lights are dimmed, the stage awaits, and we, The University Singers, are absolutely thrilled to deliver an experience that will leave you feeling inspired. Please, immerse yourselves in the magic and remember to share the experience with others. Enjoy the show!

— Gavane Ferguson
Densil A. Williams
Pro Vice-Chancellor and Principal

On behalf of The University of the West Indies (UWI), let me extend to The University Singers heartiest congratulations on the staging of their 67th Concert Season. The University Singers is our premier performing arts ensemble on the UWI, Mona Campus and are regarded as our very own cultural ambassadors. Last year, we were pleased to assist the choir in participating in the very first Jamaican Choral Music Symposium, staged by The University of Colorado, Boulder, USA and to be showcased as the featured performers at the Southwestern American Choral Directors Association's (SWACDA) Regional Conference in Denver, USA. We are truly proud that The University Singers has continued on a path of excellence, in the tradition of a strong institutional architecture that is built to last. It is our hope that The University Singers will grow from strength to strength and that they will continue to do the UWI's motto proud, by being a "light rising from the west"!

— Densil A. Williams

Programme Notes

HOSANNA IN EXCELSIS

Hosanna in Excelsis, translated "Hosanna in the highest", is a song of affirmation, giving glory and highest praise to God. Scored for double chorus, with keyboard and full percussive orchestration, the song is a rhythmic interweaving of the 'praises of His people'. The song also layers several motifs, 'gloria', 'glorificamus te', employing rich ensemble singing throughout, and ultimately crescendos to an explosive climax.

PARAISO

The spanish word Paraiso bears the meaning paradise/heaven. This award winning song by Filipino composer Ryan Cayabyab, ironically juxtaposes the desolation and abject pollution of the Smokey Mountain garbage dumpsite in Manila, with the idyllic dream of a world where man coexists harmoniously with mother earth. The song speaks to general themes of survival, dignity, our humanity and hope. It is a profound reminder to all of our shared moral responsibility to be good stewards of our planet.

HAREJE

Hareje is a song of celebration of the traditional African life; the routine of farming and the harvest; giving thanks to nature for its bounty and for life's many gifts. The song evokes a sense of nostalgia, for a simpler time when people lived closer and more connected to mother earth.

REVIVAL BANDS

The music and cultural art form of "Revivalism" take centre stage in this year's finale. This vivid blend of sound and movement represents the syncretic fusion of religious practices from orthodox Christian religions (hymn singing, prayers etc) and African religious practices such as dancing, hand clapping, stomping and drumming. In 1860-61, there was a period of religious awakening in Jamaica, "The Great Revival" influenced by a broader Christian revival movement that spread from The United States and the British Isles. There are two main branches of Revival that are widely practised in Jamaica. Revival 60, also known as Revival Zion (60 Order), which forms the backbone of our presentation, may be described as our emancipated ancestors' interpretation of Christianity, merged with an African sensibility. The other form, Pocomania (61 Order) leans more heavily into African spiritual practices. Revival churches can be found all over Jamaica, particularly in the deep rural communities, as well as in the inner-cities of our urban areas. Every quarter, Revivalists from the 60 Order make a pilgrimage and journey to Watt Town in Saint Ann, which is regarded as the 'Conference Centre' or headquarters of the Revival Zion movement. In Revival Zion, the leader may be a man or a woman. The man is referred to as the 'Captain' while the woman is called the 'Mother' / 'Madda'.

THE UNIVERSITY SINGERS

SOPRANOS

Faith Francis-Knowles
Carolyn Reid-Cameron
Amba Chevannes
Althea McKenzie
Katherine Brown
Ellan Neil
Marsha McIntyre
Shari Williams
Melonie Morgan
Rochelle Daley
DeAnna Fraser
Khadejah Lawes
Chaya Vincent

ALTOS

Lurane Allen
Shanique Leon
Daviann Lindo
Charnelle Lewin
Zhanaé Gordon
Shanequa Thompson
Jewel Lewis

TENORS

Sean Moncrieffe
Jerren Chambers
Christopher Whyte
Gavane Ferguson
Karmichael Anthony
Tajay Grant
Jovaine Loney

BASSES

Heston Boothe
Stephan Sinclair
Hanief Lallo
Bradley Ramhing
Stefan Morris
Tahir Thompson
Chevaughn Channer
Rhys Malcolm

COLLABORATIVE MUSICIANS

Archie Dunkley
Piano
Wayne Fearon
Bass Guitar
Katherine Brown
Keyboards
Stephan Sinclair
Conga Drums
Christopher Whyte
Piano
Ozou'ne Sundalyah
Keyboard (Guest)
Jevaughn Murphy
Keyboard (Guest)
France Ingram
Keyboard (Guest)
Reuben Betty
Trap Set (Guest)
Jonathan Campbell
Percussion (Guest)

PRODUCTION TEAM

CHOREOGRAPHY

Rex Nettleford
Kevin Moore
Franklin E. Halliburton

TECHNICAL & SUPPORT CREW

Kenardo Phillips
Stage Manager
Kaldeen Fullwood
Stage Liaison
Tashianna Coley
Stage Liaison
Chrishaun Nelson
Lighting Director
Alex Brown
Sound Engineer
Kemar Lee
Front of House Coordinator

COSTUMING

Lurane Allen
Kester Bailey
Gavane Ferguson

MANAGEMENT TEAMS

Executive Committee

Gavane Ferguson
President
Tahir Thompson
Vice President
Lurane Allen
Treasurer
Melonie Morgan
Secretary
Amba Chevannes
Communications Officer

Music Committee

Heston Boothe
Assistant Musical Director
Katherine Brown
Band Leader
Christopher Whyte
Committee Member

MULTI-MEDIA

Amba Chevannes
Projections
Kenardo Phillips
Projections
Althea McKenzie
Audio
Faith Francis-Knowles
Communications Liaison
Stefan Morris
Social Media & Programme

PROPS

Jerren Chambers

Sponsors

THANK YOU FOR COMING!

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